Since Messers Edwards and Rodgers prized a cool, almost mechanical vocal approach, the Sisters’ later, very popular Chic Organization-produced Lps, effectively disguised what fabulous soul singers they were. Featuring surprisingly tough music and, given their tender ages, remarkably mature singing, the Sledges’ strong, well-programmed début seems to have had a lot of care and attention lavished on it. Touches of Philly Soul colour proceedings to dramatic effect. If early period soul-disco is your thing, buy with confidence–What a great record!From the same pound-a-piece batch as the Eno below.
As I listen, I sense some of the same icy grandeur of Eno and Lanois’ earlier ambient gem Apollo and Bowie’s Low; however, technology had moved on from the previous work and the feel is somehow less resonant, less moving. Enjoyable nonetheless (especially the Satie touches) and only a pound from Hythe chaz.
Graphic designer Barney Bubbles runs amok on this ‘solo’ Lp by Elvis Costello’s Attractions. Would that such an exceptionally weak ‘new wave’ record merited our Colin’s over-the-top efforts. Simply put, it’s as poorly sung and written an album as anyone with as much talent as the Attraction possess that you’re likely to hear–truly, the band’s abilities lie elsewhere. An overload of visual japes and absurdity abound.Kookiness and kitsch in ample portions.Steve Nieve assembles a phalanx of keyboards, enough to gag Rick Wakeman, for this instrumental faux soundtrack ep included with the (already generously packed 16 track) album. Fans of EC’s ‘Shot With His Own Gun’ et al. will recognise Nieve’s opulent Romantic style; he never met a glissando he didn’t like. Note that Bubbles appropriates the pianist’s image from the near-contemporary Get Happy!!!
Without vocals to distract, the ep is the slightly better bet.
But for fans of both Bubbles’ work and of paying £1 for their records in Folkestone, this package will do nicely.